A New Tradition, Starting With First Recordings by RL Burnside

RLIf you’ve ever gotten to the party early, you’ve probably heard Eamon or Justin play a full album or two. We’ve got a pretty nice sound system, and it’s a treat to hear a good long player over the PA before the dancefloor fills up. This year we’re making something official of our casual tradition with one of the guys selecting an album in advance and telling a little about why they’re going to play it. Justin’s taking the first turn. The record he’s chosen is RL Burnside’s First Recordings:

Back in October of 2011, I took a trip through the south that landed me in Clarksdale, Mississippi and Memphis, Tennessee. Before then I had the cursory blues knowledge that any music fan might, but the stops in those two towns made me fall deeply in love with the music. (I made a short mix of some of my first blues infatuations back in January in 2012 in case you’re interested.) Since then, I’ve grown my collection, and I’ve become particularly interested in the blues as dance music.

In its heyday, the blues were played in many ways and served many purposes, but my favorite recordings are the ones that put me in a trance, where the guitars drone and the vocals punctuate. Even when there’s no percussive elements in a recording, you can almost hear how dancers would’ve clapped along or stomped their feet to fill in the space.

The first recordings of RL Burnside contain some of the hardest dance tunes I’ve heard in the blues. Absolutely crushing stuff. (I played “Skinny Blues” at peak time at one of the most recent Mister Sundays.) Even the songs that aren’t dancers are full of groove and swagger. I can’t help but nod my head through the whole record.

The story of how this album was recorded is also very cool. George Mitchell, one of the great blues scholars and field recorders, was in Mississippi in 1968, searching for unknown players. He was led to RL by Othar Turner, a legendary blues man himself. When Mitchell arrived at Burnside’s small home, his wife, nine of his ten kids, and a few local friends were squeezed inside. Mitchell took a seat on their couch, and RL started up. After the first song, George Mitchell, mesmerized, hit record on his tape machine and captured the album we’ll listen to Sunday.

If you’re interested in any more of the story, feel free to come to the booth and ask to see the jacket. (I also have the first issue of some of the recordings, which has a little more back story. I’ll bring that, too.) I’m really looking forward to playing it for you – and, selfishly, taking yet another opportunity to listen to it myself!

–Justin Carter

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    Official Mister Saturday Night and Mister Sunday parties are in bold below. Other dates are tour dates for Eamon and/or Justin.

     

    Saturday, March 17th // Mister Saturday Night with Eamon Harkin and Justin Carter // 10p – 6a // Indoors at Nowadays // 56-06 Cooper Ave, Ridgewood, NY 11385 // advance tickets and more info

    Saturday, April 14th // Mister Saturday Night with Justin Carter and Eamon Harkin // 10p – 6a // Indoors at Nowadays // 56-06 Cooper Ave, Ridgewood, NY 11385 // advance tickets and more info

    Friday, April 27th // Eamon and Justin all night long at Phonox // 418 Brixton Road Brixton, London SW9 7AY // advance tickets and more info

    Saturday, April 28th // Justin and Eamon at Paco Tyson Festival with Jayda G, Ellen Allien, Robert Hood and others // Nantes, France // advance tickets and more info