Author: Maestro Saturday

Every week of this outdoor Mister Sunday season, the party begins with the airing of an entire album. This week Justin Carter, who’s playing solo, selects. He’s chosen The History of Jazz Vol. 3: Then Came Swing. This is what he has to say about it.

I’ve chosen this week’s album for couple reasons. One is that I love old jazz and blues, and this set from 1945 is full of great names like Coleman Hawkins,  T-Bone Walker, Benny Carter and Nat Cole. But the other is because of the format and a question that it answers. Before I collected 78s, I always used to wonder, “Why do we call LPs albums?” Well, as I was digging through old collections, I started to find bound books full of records – they looked a lot like photo albums, actually, but inside, the pages would be sleeves holding 78s. Until the vinyl LP was widely introduced in 1948, the dominant technology was a shellac record cut at 78rpm. While the LP could hold twenty minutes of audio on a side, the 78 could only hold five minutes (most just held three-and-a-half), so if you wanted to hear a collection of songs, you’d have to buy a book of records – literally an album. The term stuck, and even though LP (short for long player) was the official term for the format that replaced the book of 78s, “album” stuck.

Beyond the trivial reasons for bringing out The History of Jazz, there’s a special bonus: I’ll have my player, so I can bring down some gems from the rest of my 78 collection, which I’ll try to squeeze in through the rest of the day. I’m looking forward to playing them for you on the big system!

Every week of this outdoor Mister Sunday season, the party begins with the airing of an entire album. This week, our special guest, Duane Harriott, is the selector. He’s chosen Pure Phase by Spiritualized. This is what he has to say about it.

2015 marks the twenty-year anniversary of this landmark album’s release. The second album from the band helmed by Jason Pierce (formerly of Spacemen 3) was an incredible Psychedelic rock album that combined the minimalistic modern classical feel of Steve Reich and Phillip Glass with the sonic bombast of Pink Floyd and My Bloody Valentine… but there was also an undercurrent of blues and gospel sensibilities that pervaded throughout. Like the album title suggests, this is a seamless album that washes over you like waves. It was a massive influence on young bands at the time such as Radiohead and Coldplay. It’s one of my favorite rock albums of all time and this OG double LP is gonna sound glorious on that soundsytem. 🙂