There’s a nip in the air that feels like perfect dancing weather to us – and we’ve got just the spot in mind. The Mister is all kinds of excited to give its new home a workout this Saturday, with a little help from Aesthetic Audio bossman Keith Worthy.
For additional sweat inducement, check out Marnie Stern’s fiery licks tonight at the Rock Shop and listen to Gov. David Patterson spin some killer Prince b-sides on Sunday at the Insound Pop-up Store.
BXI is the union of Japanese rockers Boris and Ian Astbury of the Cult. An unlikely pairing that makes more sense with each listen, the band melds its heavy squall with Astbury’s wizened baritone to create something simultaneously familiar and new.
Boris’ drummer/vocalist Atsuo and Mr. Astbury himself were kind enough to spend nearly an hour with us last week, just a day before the collaborative project made its debut at the Brooklyn Masonic Temple. In a conversation that threw small talk out the window, Atsuo and Astbury shared their eloquent perspectives on the creative process, the ritual of live music, the wisdom of age – and the awesome power of the sun.
Mister Saturday Night: Ian, you once said of [labelmates] Sunn O))) that there is “no language to explain the experience.” Can a musical experience ever be captured in language?
Ian Astbury: It’s a cul-de-sac. I think the cultural language available is very limited. Pop is easier to talk about – we all understand the sentiment. But once you cross over into something so emotive, layered and diverse – that textured spectrum of light and shade – that’s a very difficult thing to articulate, especially in print. I just point and say: “Listen to it.” Continue reading “BXI: The Secrets of Rock”